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Old rock fans never die and Oscar Tusquets loves to demonstrate this. This architect, artist —the drawing of the dama molliniana shows it— and writer, has designed nearly everything during his long career —his work has its own encyclopedia, compiled by Juli Capella and published by Electa— and in particular many chairs, some of them much admired, but possibly none so beautiful as Gaulino. In this piece —says Tusquets— some critic detected his well-known admiration for Salvador Dalí but, when he saw it finished, it seemed to him that the clearest influences came from Antoni Gaudí and Carlo Mollino. This is why it is called Gaulino. He designed it in 1987 and since then it has become a point of reference in Spanish design. “I learned and enjoyed it very much and I consider it one of my best works. Although its appearance is totally artisanal, it was my first really industrial project in wood; that was when I realised what machines could do.” Nearly a quarter of a century later, BD is re-launching it, improved, accompanied by a new table design and with the knowledge of having a unique and unrepeatable chair which has a great story to tell. With it BD has begun making a series of audiovisuals —BD STORIES— on their most iconic designs.
Launched in 2011.
Born in Barcelona in 1941, Oscar Tusquets Blanca, with the first name written without an accent and accompanied by both his surnames, as he likes it, usually presents himself publicly as an architect by training, a designer by adaptation, a painter by vocation and a writer through the desire to make friends. In other words, the prototype of the complete artist that the specialisation of the modern world has steadily driven to extinction. He began his work as a designer of furniture and objects, thanks to which he has won the Spanish National Design Award and seen a number of his pieces appear in the collections of such major museums as the MoMA in New York and the Centre George Pompidou in Paris.
Since its origins in the 1970’s, BD has always been an atypical company. Its founders and still current owners, who come from an architectural background rather than the business field, have oriented BD’s production from the very start by cultivating beauty, in some cases above their function. Accompanied with artisanal processes instead of mass production, the new products always have more proximity to art than industrial design. Characterised by superior quality, short-series productions (and on occasion limited editions), and unique pieces due to crafted manufacturing. In the 80’s, BD pleasantly surprised by editing Gaudí’s furniture for his famous buildings and in the early 90’s, BD again astounded by introducing an exclusive first collection of furniture and lamps designed by Dalí. Recently the Collections and Designers with an accentuated artistic profile like Jaime Hayon and Doshi Levien, continue to point the way where design and art meet together.
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