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Little decorative items have been part of BD’s catalogue since Ettore Sottsass drafted the Shiva vase back in 1973. Little architectural pieces is what the master called them, which have naturally paralleled larger furniture items, but not less important due to their size. Among them is the humble water bottle designed by Josep M. Jujol, the imperfect vases by Xavier Mañosa, or the more iconic Showtime series by Jaime Hayon. An abundance of talent can be found in them, just the same as can be found in the pieces supporting them such as a cabinet. Their purpose is a decorative one, although for us, they carry an emotional and artistic value. They are timeless and with the passing of time we continue to add designs to a collection that continues to grow in importance within the range we have on offer. Several months ago we presented our chandelier REmix collection by Curro Claret, and now we inaugurate a ceramic collection which carries Jaime Hayon’s unmistakable character and humour. It’s called Happy Susto (fright in English) and is made in a couple of sizes, colours and finishes.
Born in Madrid in 1974, Jaime Hayon can boast one of the most glittering careers to be seen in the recent history of contemporary design. Although born and trained in Madrid, he was forged as a designer with Fabrica, the breeding ground of creativity run by Benetton near the Italian city of Treviso, where he arrived in 1997, when he had barely turned 24, to work under Oliviero Toscani, who would soon put him in charge of the design department. It was at Fabrica that he first worked with BD on the Mail Me project. In 2004, Hayon decided to branch out on his own, so he settled in Barcelona and began working on a number of projects while also exhibiting his more personal work in art galleries.
Since its origins in the 1970’s, BD has always been an atypical company. Its founders and still current owners, who come from an architectural background rather than the business field, have oriented BD’s production from the very start by cultivating beauty, in some cases above their function. Accompanied with artisanal processes instead of mass production, the new products always have more proximity to art than industrial design. Characterised by superior quality, short-series productions (and on occasion limited editions), and unique pieces due to crafted manufacturing. In the 80’s, BD pleasantly surprised by editing Gaudí’s furniture for his famous buildings and in the early 90’s, BD again astounded by introducing an exclusive first collection of furniture and lamps designed by Dalí. Recently the Collections and Designers with an accentuated artistic profile like Jaime Hayon and Doshi Levien, continue to point the way where design and art meet together.
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